NIGHTHAWKS BLACKWELL’S ISLAND NAKED CITY DARK WATER CONSPIRACY THEORY AND MORE
DESIGN THE PERFECT ROOSEVELT ISLAND FACE MASK
WHAT ARTWORK WOULD YOU PUT ON THE MASK?
SUBMIT THIS IMAGE WITH ARTWORK ON IT TO: ROOSEVELTISLANDHISTORY@GMAIL.COM
DEADLINE: JUNE 10, 2020
ALL DECISIONS ARE FINAL
NIGHTHAWKS (1981)
If you have lived long enough on the island you remember Sylvester Stallone being booed out of the Chapel, when the residents resisted the tram being “hijacked” for a film shoot.The film NIGHTHAWKS got shot, the tram closed for two weeks and we were appeased with free coffee and newspapers. Supposedly a $20,000 donation was to go the the Youth Center.
As we watched NIGHTHAWKS in the 1980’s, it was a captivating thriller. When I watched it in the post 9/11 world, it was too real life. Sly Stallone and Billy Dee Williams were the stars.
Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It’s up to DaSilva and Fox to stop him, but will they be in time?
BLACKWELL’S ISLAND (1939)
In 1934, a New York reporter infiltrates a crime syndicate by befriending its boss who is serving time inside Blackwell Island prison.
The only scenes of the island were views from the Queensboro Bridge
NAKED CITY (1939)
A young woman, a carrier of a deadly infectious disease, leaves a self-imposed exile of 14 years on Welfare Island (now called Roosevelt Island) for Manhattan and a “normal” life. The NYPD is notified and seeks to find her before the “Van Nortons Sawyers Fever” infects the populace and causes multiple deaths.
I was just told of this episode called “Carrier” that has great actual film of the Queensboro Bridge Elevator Storehouse Building and scenes filmed at the old Central Nurses residence. Most of the episode is recognizable being filmed around Manhattan. Sandy Dennis plays the infected person. The episode is timely. It is free to watch on You Tube or IMDB. Sit back and think of the island in 1963.
DARK WATER (2005)
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York’s Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation?
Mostly filmed in the halls of 540 Main Street and continual “rain” falling on Main Street during filming. Not very popular with the residents. Who authorized this filming?
CONSPIRACY THEORY (1997)
Jerry Fletcher is a man in love with a woman he observes from afar. She works for the government. Fletcher is an outspoken critic of that government. He has conspiracy theories for everything, from aliens to political assassinations. But soon, one of his theories finds itself to be accurate. But which one? Some dangerous people want him dead, and the only person he trusts is the woman he loves, but does not know.
Filmed inside an outside old Central Nurse residence (where 475 Main Street is located), a scene included helicopter landings on adjacent ball field. Forgot how cute Mel Gibson was in his youth!
OTHER FILMS
Some other films include: EXORCIST which was supposedly filmed inside Goldwater Hospital CITY SLICKERS Star Billy Crystal gets on Tram SHAFT filmed in the abandoned City Hospital SPIDERMAN film at Tram and in studio, where they “destroyed” one of the Tram stations.
MONDAY PHOTO OF THE DAY
Identify and locate this. Send your answer to jbird134@aol.com Win a trinket from the RIHS kiosk.
WEEKEND MYSTERY PHOTO OF THE DAY
EDITORIAL
Escaping the real world, a good idea this weekend of chaos. Not being a film buff, I probably left out may films and the fine details that some people appreciate.
BRING YOUR DOG TO OUR SOCIALLY DISTANCING DOG APPRECIATION DAY NEXT SATURDAY, JUNE 6TH FROM 1-5 P.M. AT THE RIHS KIOSK. WE HAVE FREE TREATS FOR THE DOGS, INDIVIDUAL DISHES OF WATER FOR THEM. GOODIES FOR THEIR FAMILIES. ALL DOGS AND THEIR FAMILIES WELCOME TO GREET SUMMER OUTSIDE THE KIOSK.
Judith Berdy
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff All materials in this publication are copyrighted (c)
FUNDING BY ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPOSE FUNDING
DISCRETIONARY FUNDING BY COUNCIL MEMBER BEN KALLOS THRU NYC DYCD
Welfare Island: The Spirit of Place Past The Photography of Suzanne Vlamis ******************************
DESIGN THE PERFECT ROOSEVELT ISLAND FACE MASK. WHAT ARTWORK WOULD YOU PUT ON THE MASK? SUBMIT THIS IMAGE WITH ARTWORK ON IT TO: ROOSEVELTISLANDHISTORY@GMAIL.COM DEADLINE: JUNE 10, 2020 ALL DECISIONS ARE FINAL WIN A GIFT BASKET FROM THE RIHS VISITOR CENTER
Many of these photos were originally displayed in the Octagon Gallery in 2009
Views of the Smallpox Hospital and Queensboro Bridge
Plaque from City (formerly Island Hospital, then Charity Hospital) commemorating the first building was destroyed by fire 1858 (?) and rebuilt by the Governors of the Almshouse 1859.
Plaque that was in the City Hospital “DIED IN THE DISCHARGE OF DUTY.” The plaque was removed from the building and eventually returned to the RiHS Archives.
Pieces of plaque that were returned.
Signs stenciled on walls of City Hospital
Always signs left on walls.
Abandoned
Abandoned Strecker Memorial Laboratory
Abandoned Pathology Laboratory
Specimens
Reference Books
Luncheonette next to Elevator Storehouse Building where staff would get their morning coffee
Abandoned buses and ambulances outside the Laundry, Firehouse and Garage Building.
Chapel of the Good Shepherd
Abandoned German Lutheran Hospital
Dredging the River to bury the subway tunnel tubes
The helix under construction
Near Sacred Heart Chapel
Octagon interior dome
The staircase leading to the cupola.
Leading to the patient floors
New York University Medical Center Institute of Rehabilitation Medicine PRIMATE COLONY
Lighthouse before the Park
MYSTERY PHOTO OF THE DAY
Can you identify this building and location? Send you response to jbird134@aol.com Winner gets a trinket from kiosk.
YESTERDAY’S IMAGE
This image is the escalator entrance to the 63rd Street and Third Avenue Lexington Street Station.
Funding Provided by: Roosevelt Island Operating Corporation Public Purpose Funds Council Member Ben Kallos City Council Discretionary Funds thru DYCD Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff ALL PHOTOS COPYRIGHT RIHS. 2020 (C) ALL PHOTOS IN THIS ISSUE (C) SUZANNE VLAMIS 2009
How Abstract WPA Murals Were Preserved for Cornell Tech Campus, New York City
Cornell Tech’s campus on Roosevelt Island will have technologically advanced and future-facing facilities, but it will also have something else: a glimpse into US history, and a critical link to the island it calls home.
That’s thanks to a team of conservators who carefully removed three historic murals from Roosevelt Island’s Coler-Goldwater Specialty Hospital and Nursing Facility just before its demolition in 2014, and who will reinstall them within the new Cornell Tech buildings.
The murals were by Ilya Bolotowsky, Albert Swinden and Joseph Rugolo.
Bolotowsky, the best known of the three, was a protégé of Piet Mondrian and leading early abstract painter known for creating a sense of order and balance in his paintings. What makes the mural he created for the hospital so unique, according to Keri Butler, deputy director at the Public Design Commission of the City of New York, is that it was commissioned by the Works Progress Administration (WPA).
The WPA seldom commissioned abstract works of art, Butler said, but Bolotowsky’s work was championed by a fellow abstract artist Burgoyne Diller, who also happened to be project supervisor of the New York City WPA/FAP Mural Division.
Removing these murals was no walk in the park. In their original incarnation, all of the murals by Bolotowsky, Swinden and Rugolo had been installed on walls in three of the building’s 32 circular-shaped rooms. In these circular rooms, patients would congregate, get fresh air, and look out through the windows to the river — the idea being that sunlight and fresh air supported convalescence.
A total of eight murals were commissioned for these spaces, though only four were ever completed. But over the years, these rooms were repainted many times. Eventually, layer upon layer of interior house paint obscured the locations of the murals themselves. Then, with demolition of the hospital slated for late 2014, Cornell and New York City worked together with a team of conservators on a kind of scavenger hunt, scouring the hospital to find these works.
—Bolotowsky’s, which had been restored in 2000, was easier to find than the other two. Though conservators knew a fourth mural may have existed, after searching each of the 32 rooms the group determined that the mural was not within any of them. Butler describes the discovery process like something out of a detective novel. “We were in one of these day rooms, and a conservator asked if it was okay to remove the light switch cover. So we got a screwdriver and removed the cover — there was canvas there! It was a revelatory moment.”
Once all of the murals had been painstakingly secured, they were chemically stabilized and, finally, restored off-site at a conservator’s studio, according to Stephanie Lee Wiles, director of the Herbert F. Johnson Museum of Art at Cornell University. Where paint was missing, conservators filled in the blanks.
All of these New York City murals serve as reminders of an unprecedented government-funded initiative that provided essential work and income to artists, and supported the artistic careers of many otherwise overlooked abstract artists,” said Wiles. The murals, she hopes, will connect students and visitors to the history of the island. She also noted a conceptual overlap between Bolotowsky’s style of abstract painting, which was then avante-garde, and Cornell Tech’s mission in the world today: “In this brand-new building, [Bolotowsky’s murals] represent thinking about new horizons — and new directions that technology will take us.” Now that these paintings will be accessible to so many, Butler said she hopes they’ll inspire dialogue about not only the past, but also the future of public funding for art in America. “I can’t even imagine another time when the United States government had such an impact on cutting-edge American art,” she said. “I hope that students will look up and wonder what these murals are about, and that the murals provide inspiration and an uplifting experience.
ILYA BOLOTOWSKY
JOSEPH RUGOLO
Rugolo mural laid out at conservators
Mural parts on exhibit at Johnson Museum at Cornell, Ithaca in 2016. The Rugolo mural was not been placed yet and is in storage awaiting a suitable location.
ALBERT SWINDEN
Swinden mural laid out at conservators
The Swinden mural was the most complex to install high on a wall in the TATA Innovation Center
The Swinden mural high above the tiered study area in the TATA Innovation Center
EDITORIAL
Now that we have tempted you with these photos of the murals at Cornell Tech. Cornell Tech offers monthly art tours. On exhibit are some other contemporary artworks and installations.
To book a tour see: https://www.eventbrite.com/e/cornell-tech-art-tours-registration-44681635976
All tours are subject to the campus being open. The tours are free and limited to 10 persons.
Judith Berdy 212 688 4836 Jbird134@aol.com
PHOTO OF THE DAY
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YESTERDAY’S PHOTO OF THE DAY
This is the WILDLIFE FREEDOM FOUNDATION Cat sanctuary at Southpoint Park on the east side of the Island.
This arrived from Jay Jacobson this morning:
This morning’s very interesting picture appears to me to be the southern and western facades of the Roosevelt Island Residence for Less Fortunate Felines.
It is located in the northeast corner of Southpoint Park, adjacent to the East Channel of the East River. Although RIRFLFF does not appear on any copies of the RI Master Plan I have ever seen, it is believed to be the Quantico equivalent on the Island.
There, elite teams of cats, rescued from abandonment by sympathetic trainers and friends, are working to learn to herd the Canada Geese into parts of the Island where their signature pooping pattern is removed from the Island’s lawns and pathways and confined to places not populated by people.
I understand that Ben Kallos has been asked for funding support for RIRFLFF but has deferred a decision until he sees how many have registered to vote.
Beano, my long time friend and neighbor passed away last night with her family. She is socializing with her felines in cat heaven.
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff
All image are copyrighted (c) RIHS Thanks to the RIHS Archives for Images Museum of the City of New York Cornell University Johnson Museum
FUNDING PROVIDED BY: THE ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPOSE FUNDS
CITY COUNCIL MEMBER BEN KALLOS DISCRETIONARY FUNDS ADMINISTERED BY NYC DIVISION OF YOUTH AND COMMUNITY DEVELOPMENT
Born to Jewish parents in St. Petersburg, Russia, Bolotowsky lived in Baku and Constantinople before immigrating to the United States in 1923, where he settled in New York City. He attended the National Academy of Design.He became associated with a group called “The Ten Whitney Dissenters,”or simply “The Ten,” artists, including Louis Schanker, Adolph Gottlieb, Mark Rothko, and Joseph Solman, who rebelled against the strictures of the Academy and held independent exhibitions. Bolotowsky was strongly influenced by Dutch painter Piet Mondrian] and the tenets of De Stijl, a movement that advocated the possibility of ideal order in the visual arts. Bolotowsky adopted Mondrian’s use of horizontal and vertical geometric pattern and a palette restricted to primary colors and neutrals. Having turned to geometric abstractions, in 1936 Bolotowsky co-founded American Abstract Artists, a cooperative formed to promote the interests of abstract painters and to increase understanding between themselves and the public.
The B-11 day room as it looked in the 1940’s
Images during 2001 restoration
After the 2001 restoration
Commemorative Plaque that hung in B-11 Patient Lounge
JOSEPH RUGOLO
American Artist, 1911 -1983
The day Room as it looked before the Joseph Rugolo mural was removed from multiple layers of paint after the hospital closed in 2013.
ALBERT SWINDEN
Albert Swinden was born in Birmingham, England in 1901.When he was seven, he moved with his family to Canada, and in 1919 he immigrated to the United States. He lived in Chicago, where he studied for about a year and a half at the Art Institute. He then relocated to New York City, where his art education continued briefly at the National Academy of Design. He soon changed schools again, to the Art Students League, which he attended from 1930 to 1934. He studied with Hans Hofmann and gained an appreciation for Synthetic Cubism and NeoplasticismAccording to painter and printmaker George McNeil, Swinden “could have influenced Hofmann … He was working with very, very simple planes, not in this sort of Cubistic manner. Swinden was working synthetically at this time.”While still a student, Swinden began teaching at the Art Students League, in 1932. Swinden married Rebecca Palter (1912–1998), from New York. Their daughter, Alice Swinden Carter, also became an artist. Carter, who attended the School of the Museum of Fine Arts, Boston, received an award from the Institute of Contemporary Art, Boston for her large sculptures.
The conceptual image of the B-11 day room mural “Abstraction”
DANE CHANASE
He was born in Palermo, Italy. He exhibited at the Salon d’Automne. He served in World War I. He married artist Sheva Ausubel (1896–1957). He was a member of the Federal Art Project. He created a mural for the School of Industrial Art, Brooklyn. His work is held by the Smithsonian American Art Museum.
The Dane Chanase mural was never found. As with the others, it was probably painted over and eventually removed from the walls during the 70 plus years Goldwater was open.
Conceptual Image of mural
REMOVING BOLOTOWSKY MURAL FROM GOLDWATER UNIT B-11
The murals were peeled off the walls onto wheeled tubes. Some pieces were placed on the floor to have the first layer of lead paint and contaminates removed. The murals then went to conservation studios where they were further cleaned and restored.
The room was sealed off from the rest of the area. Some images were shot thru the window from the hallway.
The conservators worked in the rooms for months to remove the 3 murals. Each mural was on a different floor of the hospital.
PHOTO OF THE DAY
What is this and where is it located? E-mail answer to jbird134@aol.com Win a kiosk trinket
Yesterday’s Photo of the Day
Yesterday’s photo was the Elevator Storehouse Building, with the smokestack from the steam plant that serviced the buildings on Welfare Island. The winner is JAY JACOBSON!!!
EDITORIAL
When we were walking the halls of the empty Goldwater Hospital, occasionally we would spot a piece of abandoned art. On bulletin boards there were religious metals, buttons. small signs and prayer cares. When we walked into the unit where the Bolotowsky mural there was a small pastel artwork on the wall, framed and matted hanging by the doorway, The sweet picture of the two parrots was just left there, in the empty hallway. I returned with a screwdriver and have adopted the picture. It is now in my home freshly matted and framed, a reminder of the artistic residents of Goldwater. Goldwater had a wonderful art program with annual exhibits and classes led by the then director of therapeutic recreation Ron Becker.
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff
All image are copyrighted (c) Thanks to the RIHS Archives for Images NYC Municipal Archives Cornell University Johnson Museum
FUNDING PROVIDED BY: THE ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPOSE FUNDS
CITY COUNCIL MEMBER BEN KALLOS DISCRETIONARY FUNDS ADMINISTERED BY NYC DIVISION OF YOUTH AND COMMUNITY DEVELOPMENT
ILLUSTRATIONS BY HUGH FERRIS DEDICATION: JUNE 18, 1940
80 YEARS ON THE F.D.R.
Hugh Macomber Ferriss (July 12, 1889 – January 28, 1962) was an American architect, illustrator, and poet.[1][2] He was associated with exploring the psychological condition of modern urban life, a common cultural enquiry of the first decades of the twentieth century. After his death a colleague said he ‘influenced my generation of architects’ more than any other man.” Ferriss also influenced popular culture, for example Gotham City (the setting for Batman) and Kerry Conran’s Sky Captain and the World of Tomorrow.
Early in his career, Ferriss began to specialize in creating architectural renderings for other architects’ work rather than designing buildings himself. As a delineator, his task was to create a perspective drawing of a building or project. This was done either as part of the sales process for a project, or, more commonly, to advertise or promote the project to a wider audience. Thus, his drawings were frequently destined for annual shows or advertisements. As a result of this, his works were often published (rather than just given to the architect’s client), and Ferriss acquired a reputation.
After he had set up as a free-lance artist, he found himself much sought after. In 1912, Ferriss arrived in New York City and was soon employed as a delineator for Cass Gilbert. Some of his earliest drawings are of Gilbert’s Woolworth Building; they reveal that Ferriss’s illustrations had not yet developed his signature dark, moody appearance. In 1915, with Gilbert’s blessing, he left the firm and set up shop as an independent architectural delineator.
In 1914, Ferriss married Dorothy Lapham, an editor and artist for Vanity Fair. Daily News Building, NYC By 1920, Ferriss had begun to develop his own style, frequently presenting the building at night, lit up by spotlights, or in a fog, as if photographed with a soft focus. The shadows cast by and on the building became almost as important as the revealed surfaces. His style elicited emotional responses from the viewer. His drawings were being regularly featured by such diverse publications as the Century Magazine, the Christian Science Monitor, Harper’s Magazine, and Vanity Fair. His writings also began to appear in various publications.
In 1916, New York City had passed landmark zoning laws that regulated and limited the massing of buildings according to a formula. The reason was to counteract the tendency for buildings to occupy the whole of their lot and go straight up as far as was possible. Since many architects were not sure exactly what these laws meant for their designs, in 1922 the skyscraper architect Harvey Wiley Corbett commissioned Ferriss to draw a series of four step-by-step perspectives demonstrating the architectural consequences of the zoning law. These four drawings would later be used in his 1929 book The Metropolis of Tomorrow.
This book illustrated many conte crayon sketches of tall buildings. Some of the sketches were theoretical studies of possible setback variations within the 1916 zoning laws. Some were renderings for other architect’s skyscrapers. And at the end of the book was a sequence of views in Manhattan emerged in an almost Babylonian guise. His writing in the book betrayed an ambivalence to the rapid urbanization of America: There are occasional mornings when, with an early fog not yet dispersed, one finds oneself, on stepping onto the parapet, the spectator of an even more nebulous panorama. Literally, there is nothing to be seen but mist; not a tower has yet been revealed below, and except for the immediate parapet rail . . . there is no suggestion of either locality or solidity for the coming scene.
To an imaginative spectator, it might seem that he is perched in some elevated stage box to witness some gigantic spectacle, some cyclopean drama of forms; and that the curtain has not yet risen . . . there could not fail to be at least a moment of wonder. What apocalypse is about to be revealed? What is its setting? And what will be the purport of this modern metropolitan drama? In 1955, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1960.
THIS IS A SMALL SELECTION OF THE IMAGES IN THE COMMEMORATIVE BOOK. THERE ARE MULTIPLE PHOTOS AND COMMENTARY. YOU CAN REQUEST TO SEE IT FROM THE R.I.H.S.
Drawing of Southbound Roadway in the Triple-Dec Section in the 80’s
North portal of only true tunnel in East River Drive. It fronts Gracie Mansion, preserving its ancient view of the river.
Architects’ rendering of new municipal asphalt plant to replace existing structure on 91st Street.
The successful Asphalt Green today
Drawing of north-bound roadway of triple deck section in the 80’s
2020
Ferris Rendering
From the Archives
Artist view of Grand to Montgomery Street link looking southward toward lower Manhattan.
Hugh Ferris drawings of the 81st Street portal during construction. The sketch shows the tower and northbound roadway.
81st Street Portal Today
Drawing looking south from 60th Street showing north and southbound roadways as they pass under Queensboro Bridge. Structure at left is new Department of Sanitation dump. The ramp to the dump is for Sanitation trucks.
East River Roundabout by Alyce Aycock
A drawing of the completed portal of the triple deck structure at 81st Street. The tower marks the juncture of the portion of the drive built on land with that built over water. The stairway joins the shore front drive at water level with the esplanade that is the third deck of the drive. Overpass leads to 81st Street.
Future concept of 91st Street redesign with Sanitation dump.
Chester Price drawing of new municipal ferry house at 78th Street. The roof of the ferry house will serve as a section tho the Drive’s pedestrian esplanade. Access to the ferry house from the west side of the Drive is by an overpass.
WEDNESDAY’S PHOTO OF THE DAY
What is this and where is it located E-mail jbird134@aol.com Win a trinket from Kiosk
TUESDAY’S PHOTO OF THE DAY
The Encampment tent construction to recreate the island history was constructed at Southpoint Park by artist Tom Sokolowski in the year………………
The winner is Liz Pirraglia
FROM 2007
The Encampment: Roosevelt Island’s Past, Illuminated
BY JEN CHUNG
This October, artist Thom Sokoloski will build 100 white tents on Roosevelt Island, and the public will be able to see the illuminated tents at night as well as explore what’s in them. The project is called The Encampment and here is a description the website: The Encampment is a large-scale public participatory art installation. 100 – 19th century luminous tents will be erected as a work of optical art on Roosevelt’s Island Southpoint. From 7pm to 7am each night, New Yorkers will be able to view the luminous symmetries of the tents from both sides of the East River, as well as visit the actual site and experience the installations in each of the tents. It proposes an archaeological dig as its metaphor; the search for artifacts is replaced by the search for a collective memory of Roosevelt Island. Sokoloski told Metro that Roosevelt Island’s past, filled with hospitals, lunatic asylum and other facilities, inspired him, “When you go deep the history is so fascinating. This will be a kind of digital archaeology, a model of exchange where the community will uncover the stories of the island’s past.” He also calls it “a metaphorical, archaeological dig into the history of mental health.”
EDITORIAL
Yesterday, my friend and I decided to walk from 81 Street to 60th Street along the FDR Promenade. I was eager to see the areas that have been improved by Hospital for Special Surgery (HSS) and Rockefeller University.
I must say I was overwhelmed by noise. I am used to the calm at the Roosevelt Island promenade with the quiet drone in the background. Here the noise was in your head. Unfortunately, I did not have ear buds or a headset with me.
There was a steady flow of pedestrians, runners, bikers, dogs on leashes, and family groups. Most were masked and determined to enjoy their time out.
The area from 81st Street south to 69th Street was beat-up to say the least. Lots of patches, temporary fencing, missing pavers and weeds. You must be a romantic to walk here and luckily look out on the river and that beautiful island beyond. The area by HSS and Rockefeller are better with new paving, landscaping and a great effort made to break the noise with barriers The barriers cut the noise about 20 percent.
The area by Rockefeller is a real effort to make the area better. Beyond that is a park area and dog run where the paving is wider. The abandoned heliport (fomer Sanitation dump) sits as an omni-present eyesore with a sign indicating some far-in-the-future development.
We walked up the ramp to the park with the art piece East River Roundabout above it. The park has great single seats placed in all directions. It is sad to see a park just refurbished a year or two ago has peeling paint and a grassy area that seems to be full of rat holes. It is better to look at if from afar or definitely from above. We hiked up to the tram stopping at the former entrance to the Queensboro Bridge Pedestrian elevator and then onto the Tram. The elevator closed over 50 years ago. There was an elevator at 60th Street in Manhattan and one at Vernon Blvd. in Queens. (You walked on the Upper Level in those days). My first trip to Manhattan in 10 weeks was over and back here, to peace and quiet.
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff
All image are copyrighted (c) Roosevelt Island Historical Society unless otherwise indicated TEXT FROM THE NEW ENGLAND HISTORICAL SOCIETY FUNDING PROVIDED BY ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPORE GRANTS CITY COUNCIL REPRESENTATIVE BEN KALLOS DISCRETIONARY FUNDING THRU DYCD
THE HERMAN BAUER FAMILY OF BLACKWELL HOUSE on WELFARE ISLAND
(c) ROOSEVELT ISLAND HISTORICAL SOCIETY
There has never been proof that George Washington visited the island but he may have been in the neighborhood at one time.
As you can see from the photos, Blackwell House had a large addition on the north side of the building which was probably the ping-pong room she described.
The Bauer family in front of the Blackwell House. front row: Vernon, Mother, Geniza, back row twin brothers Herman and Jim. Dog name Lucky in forefront.
Front (or back of house) with small building on south side may have been servants quarters at one time.
Front (or back of house) with north wing, Wing was not original and was demolished at time of restoration.
Path leading to house with small building (possibly former servants quarters) in distance.
In 1957 Herman Bauer was appointed medial superintendent of the new Elmhurst Hospital. At that time City Hospital closed and the patients were transferred to Elmhurst. Dr. Bauer and family had an apartment in the new hospital and left Blackwell House. They were the last known residents of the house.
Elmhurst, as it looks today with multiple additions and serving the Elmhurst, Jackson Heights area of Queens.
Geniza returned to the island and the RIHS in 2002. She and her husband enjoyed the new community, and seeing the remaining building she remembered from her childhood. Geniza passed away on 2004.
EDITORIAL
The life of the Bauer family as well as other families who lived on the Island seemed bucolic. Dad worked at the hospital, storehouse, penitentiary or other institution. The moms had staff to wash. clean, serve and maintain the home. Groceries were ordered (before Fresh Direct) and laundry was handled.
These were municipal employees who probably did not become rich but had long stable careers serving the City.
These families left the island with fond reflections and many have shared them with the RIHS.
WHAT AND WHERE ARE THESE OBJECTS? Send your submission to JBIRD134@AOL.COM Win a trinket from the RIHS Visitor Center Kiosk
MONDAY’S PHOTO OF THE DAY
The correct answer is the pool deck at Manhattan Park. Two winners Andrea Nialla and David Jacoby.
ACKNOWLEDGMENTS
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff FUNDING PROVIDED BY: ROOSEVELT ISLAND OPERATING CORPORATION THRU PUBLIC PURPOSE FUNDING CITY COUNCIL MEMBER BEN KALLOS DISCRETIONARY FUNDS THRU DYCD
IN MEMORY OF THOSE WHO PERISHED WHETHER IN THE LINE OF DUTY OR IN THE CURRENT EPIDEMIC. YOU WILL BE REMEMBERED IN OUR HEARTS
On this Memorial Day we thank the staff at Coler who have worked thru the worst of times to make a better home for its residents, whether serving coffee or doing the acts of kindness that make Coler residents comfortable. We salute the staff, permanent, temporary, long-timers or visitors for their dedication.
MONDAY
MAY 25 2020
RIHS’s 60th Issue of
Included in this Issue:
MEDICAL ADVERTISING OF 60 to 100 YEARS AGO
(c) RIHS
Hundreds of journals were found in the Goldwater Hospital after it closed. They are a time-line of history.
Enjoy this ad for COLGATE’S RIBBON DENTAL CREAM
After you brush your teeth have some LAVORIS
The “palatable” broth cured everything.
This lamp treats everything from carbuncles to tuberculosis.
Take a deep breath and hold it……..
Impressive-just by the dials and gauges
You can take the Pennsylvania Railroad to Glen Springs to be treated for what ails you.
RADIUM was a wonder treatment
Waldorf Astoria in its original location where the Empire State Building is now located.
New vigor, new capacities when you stay at this Atlantic City Hotel before gambling
LEITZ is still one of the finest optical equipment company based in Rochester, New York
Sounds like an interesting logo “Makers of Medicine of Rare Quality”
Just look at the list this device will treat!
HERE ARE SOME OF OUR FAVORITE CIGARETTE ADS
MONDAY PHOTO OF THE DAY
Identify and locate this. Send your answer to jbird134@aol.com Win a trinket from the RIHS kiosk.
YESTERDAY’S MYSTERY PHOTO OF THE DAY
Mural “Abstraction” by Ilya Bolotowsky that was at Goldwater Hospital, now in Bloomberg Center at Cornell Tech.
EDITORIAL
With all the talk of quick fix medicines for the Covid-19 virus, I was thinking of the medical devices, pharmaceuticals that were prevalent in the country years ago. After I posted these ads, i
I realized that not much has changed. We don’t sell radium over the counter but we still have Snake oil salesmen trying to sell us unproven cures, remedies and concoctions.
Judith Berdy
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff All materials in this publication are copyrighted (c)
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STEINWAY VILLAGE GALA AMUSEMENT PARK GLENN CURTIS FIELD HOLMES AIRPORT LA GUARDIA AIRPORT
History From colonial times to the early 1900s, the area now known as East Elmhurst was a vast marsh named Trains Meadow. Urbanization at the turn of the century was creating a New York City housing shortage and urban sprawl. In 1909,
Edward A. MacDougall’s Queensboro Corporation bought 325 acres (132 ha) of undeveloped land and farms to the south and christened them Jackson Heights after John C. Jackson, a descendant of one of the original Queens families and a respected Queens County entrepreneur.
The neighborhood formerly contained an amusement area along Bowery Bay Beach (later renamed North Beach), which started operating in 1886.] An amusement park called Gala Amusement Park was built by William Steinway on the Bowery Bay in what is now present-day LaGuardia Airport. In the 19th century the area used to be called Frogtown before Steinway rebuilt the area. It was home to the East Coast’s first Ferris wheel and was known as the “Coney Island of Queens.”Gala Amusement Park was eventually shut down due to Prohibition.
In 1929 it was razed and transformed into a 105-acre (42 ha) private flying field named Glenn H. Curtiss Airport after the pioneer Long Island aviator, later called North Beach Airport.[16] Starting in 1937, a Works Progress Administration project transformed North Beach Airport into LaGuardia Airport, which formally opened in 1939.
The first houses were built in 1905. These residences were small frame houses located on 40-by-100-foot (12 by 30 m) lots, and some houses on the bay contained private beaches. The neighborhood’s first commercial development came to Ditmars Boulevard during World War II.
[n 1929, Holmes Airport opened near the western section of East Elmhurst. Bordering St. Michaels Cemetery to the west, the airfield was also called the Grand Central Air Terminal and Grand Central Airport.[ Holmes Airport shut down in 1940, one year after LaGuardia Airport opened.
Today, the site is part of the Bulova Corporate Center and residential homes that surround the area.
Steinway’s first factory was on Park Avenue in Manhattan. He developed this area in Astoria as a company town for his employees.
Steinway Village: A Company Town
A desire to remove employees from Manhattan’s teeming humanity, particularly organized labor and “the machinations of the anarchists and socialists,” inspired William to purchase 400 acres across the East River in a bucolic, sparsely-populated area of Astoria, New York. With space for much-needed expansion, William set about creating the company town of Steinway where the firm could cast its own piano frames and saw its own lumber. Steinway & Sons pianos are still manufactured at this location.
William approached the development of Steinway with characteristic thoroughness, wading through rainy salt meadows in “great India rubber boots” inspecting property, overseeing street surveys, and assessing employee housing construction later advertised as “country homes with city comforts.” Diary entries reflect William’s pride in creating a company town where workers could own brick homes, drink fresh water, and stroll under shade trees on Steinway Avenue—still the main thoroughfare in this part of Queens.
He donated land and built a public school, fire house, post office and churches to further his vision. A network of horse-car railroads, streetcars, trolleys, and ferries provided access to the settlement and brought in additional income.
What would become North Beach Amusement Park offered “respectable people” an alternative to Coney Island and the chance to experience evening festivities illuminated by the novelty of electric lighting. “To farm, where it is splendid, Mill & foundry in fine running order, three of the six houses are being roofed. Steinway Ave. making good progress.”
Good, clean family entertainment for his employees,
NORTH BEACH AIRPORT
The site of the airport was originally used by the Gala Amusement Park, owned by the Steinway family. It was razed and transformed in 1929 into a 105-acre (42 ha) private flying field named Glenn H. Curtiss Airport after the pioneer Long Island aviator, later called North Beach Airport.
LA GUARDIA AIRPORT
Imagine boarding your Pan Am China Clipper to fly to Europe at La Guardia
HOLMES AIRPORT
The Bulova Watch Company, now Bulova Center is built on the site of Holmes Airport.
MYSTERY PHOTO OF THE DAY
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YESTERDAY’S IMAGE
Strecker Memorial Laboratory in Southpoint Park
GUEST EDITOR IS MISS BEANO EWALD DANZIG
Unlike you humans, I just jumped into the car and have escaped social distancing by coming to my beachfront retreat. I thought that all cats socially distance all the time! I will lounge in the sun and try to find a place to snooze 24/7. Looks like a tough life out here in the country.
Love to everyone on Roosevelt Island and my home care attendant, Judy.
Funding Provided by: Roosevelt Island Operating Corporation Public Purpose Funds Council Member Ben Kallos City Council Discretionary Funds thru DYCD Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff ALL PHOTOS COPYRIGHT RIHS. 2020 (C)
THOMAS JEFFERSON CENTER FOR HISTORIC PLANTS TWINLEAF JOURNAL ARCHIVES
Encounters with America’s Premier Nursery and Botanic Garden The Prince Nursery of New York City
The year was 1791, and Thomas Jefferson, then Secretary of State under George Washington, was embroiled in various political and personal matters. His ideological vision for America, in conflict with the governmental system espoused by Alexander Hamilton, was causing political relationships to crumble and his already strained friendship with John Adams to deteriorate further.
Consequently, Jefferson’s month-long “botanizing excursion” through New England with James Madison in June was the subject of much speculation that summer. Hamilton and other political adversaries were convinced that this lengthy vacation of two Republican Virginians through Federalist strongholds in the North had secret, ulterior motives. It would seem likely that, as Jefferson historian Merrill Peterson surmised, while the two future presidents “bounced along in leisurely fashion, their conversation must have turned occasionally to politics.” Yet, apparently the trip was innocent of intrigue and intended exclusively for, in Madison’s words, “health recreation and curiosity.”
This goal was successfully achieved, for both Jefferson’s “periodical” migraines and Madison’s “bilious attacks” vanished in the nearly four weeks they spent walking over historic battlefields, studying botanical curiosities, wildlife and insects (including “musketoes” and the Hessian fly), recording observations on climate, the seasons and the appearance of birds, and even boating and fishing in Lake George and Lake Champlain.
Their journey did, nevertheless, incorporate elements of a working vacation, for Jefferson was seeking ways to advance the new nation through alternative domestic industries. He believed his most recent idea—the addition “to the products of the U. S. of three such articles as oil, sugar, and upland rice”—would lessen America’s reliance on foreign trade, improve the lot of farmers, and ultimately result in the abolition of slavery itself. At that time a Quaker activist and philanthropist Dr. Benjamin Rush of Philadelphia, himself an ardent opponent of slavery, was seeking ways to convince political leaders and slave owners to create a sugar maple industry in America, convinced it would “lessen or destroy the consumption of West Indian sugar, and thus indirectly to destroy negro slavery.”
Jefferson took up the cause of Benjamin Rush, becoming a conscientious consumer of maple sugar much in the way that modern environmental activists boycott plantation grown coffee today. In a letter to a friend in England, Jefferson expressed the political and humanitarian benefits of commercial independence when he wrote, “What a blessing to substitute a sugar which requires only the labour of children, for that which it is said renders the slavery of the blacks necessary.”
The Princes of New York In their quest for the sugar maple, Jefferson and Madison made a noteworthy visit to the Prince Family Nursery in Flushing on the north shore of Long Island, New York. Established on eight acres of land in the 1730s by Robert Prince—within a community chiefly of French Huguenot settlers—it became America’s first commercial nursery and remained a thriving family business through four generations, until just after the Civil War. Initially called the “Old American Nursery,” it soon became the largest supplier of fruit trees and grapes in the New World, producing most of the grafted apple, pear, and cherry trees that could be found in early northeastern orchards.
Robert’s son William Prince, the nursery’s second proprietor and the one who was in charge at the time of Jefferson’s visit, was the first to propagate the native pecan commercially. In 1771, the nursery’s first broadside advertised 33 different plum trees, 42 pear trees, 24 apple trees and 12 varieties of nectarines. Their offerings expanded and diversified by 1774, when they listed in the New York Mercury, “Carolina Magnolia flower trees, the most beautiful trees that grow in America, and 50 large Catalpa flower trees” along with other flowering trees and shrubs.
The Prince Nursery was among the first to introduce Lombardy poplars and, in 1798, they advertised ten thousand trees. The nursery continued its focus on fruits and, according to U. P. Hedrick, “the first planned attempt to improve fruit on a large scale began in the Prince Nursery” with their work on plum seedlings. Although the American Revolutionary War had led to a seven-year occupation of Long Island by the British, the by-then successful and well-known nursery suffered little, for it was guarded by British General Lord Howe and his troops, who were interested in protecting the property for its contents.
Following the war, an excellent demand for American shrubs ensued, as the former enemy soldiers shipped plants home to their gardens in England and Germany. When William, in his advanced years, divided the operation between his two sons, Benjamin and William, the second William Prince purchased additional acreage nearby and, in 1793, began “The Linnaean Botanic Garden and Nursery.” Named for Carolus Linnaeus, the renowned Swedish botanist and naturalist who a mere half-century earlier had devised the system of plant classification called binomial nomenclature, William Prince’s Linnaean Botanic Garden served to educate the public as well as encourage potential customers by displaying the richness and diversity of the world’s botanical treasures.
As the Prince family nursery passed from father to son, each generation shared a common, underlying goal: to propagate and make available every known plant of merit, including North American species, not so much for profit as from a deep-rooted love of botany and the discipline of horticulture itself. This scientific approach toward the natural world was an attitude in keeping with the essential philosophical tenets also embraced by Jefferson and many of his contemporaries. William Prince became an active member of the newly created New York Horticultural Society. Through this prestigious organization he was in fellowship with Dr. David Hosack, who established the Elgin Botanic Garden in 1801, the city’s original botanical garden, which now lies directly beneath the present Rockefeller Center.
Prince nurseries supplied Dr. Hosack with many of the trees for his 700-acre estate on the Hudson River, Hyde Park. William’s son, William Robert Prince was the fourth and final generation to oversee the family enterprise. William Robert operated the nursery more as a botanical garden and, as a young man, he accompanied professor John Torrey, of Columbia University, and Thomas Nuttall, of Harvard, on botanical forays and plant collecting expeditions throughout the entire length of the Atlantic States. He would later publish two important books on fruits, A Treatise on the Vine and A Pomological Manual, which became standard references for decades. Likewise, the Prince catalogs from1815 through 1850 became common resources for horticulturists of all sorts.
His now rare manuscript, Manual of Roses, published in 1846, two years after Robert Buist’s seminal volume The Rose Manual, firmly established him as a premier authority on roses of the 19th century. But, his unwavering zeal to import white mulberry trees and promote the silkworm industry nearly bankrupted the family business. Although the nursery operations ended after William Robert Prince’s death in 1869, many unusual trees and shrubs flourished on the property and throughout Flushing well into the 20th century. In her book, Old Time Gardens Newly Set Forth, published in 1901, Alice Morse Earle describes the “oldest Chinese magnolias” and the “finest Cedar of Lebanon in the United States” still standing in the forlorn and forgotten garden at the Prince homestead.
Exploring the Nursery in Flushing Two years prior to Jefferson’s and Madison’s journey to Flushing, two other notable American statesmen paid a visit to the Prince Nursery. In October 1789, when the seat of American government was in New York City, George Washington, accompanied by vice president John Adams, “set off from New York, about nine o’clock in my barge, to visit Mr. Prince’s fruit gardens and shrubberies at Flushing.” Although his assessment would improve upon later visits, President Washington was unimpressed with what he saw during his first, noting “these gardens, except in the number of young fruit trees, did not answer my expectations. e shrubs were trifling and the flowers not numerous.” Jefferson, on the other hand, certainly saw much that interested him. He began that summer day by making the following entry in his Memorandum Book: “June 15, 1791. Hamstead. breakfd. –went to Prince’s at Flushing.”
While at the home of William Prince, Jefferson left a note requesting “all you have” of sugar maples and bush cranberries (Viburnum trilobum) as well as three balsam poplars, six Venetian “sumachs” (Cotinus obovatus), and twelve “Bursé” (Beurré Gris) pears. Later that year Jefferson would receive sixty sugar maple trees, Prince’s entire stock, which were subsequently planted “in a grove” below the Second Roundabout on the northeast slope of Monticello mountain. This became Jefferson’s experiment in sugar production at Monticello. Eventually, it was found that the central Virginia climate was not ideally suited for adequate sap flow in the spring, and Jefferson’s well-intended project proved unsuccessful.
While a national commercial sugar industry never took hold, Jefferson continued to advocate the sugar maple on a household level by stating there was no reason why every farmer “should not have a sugar orchard, as well as an apple orchard.” But, William Prince’s 1791 shipment of plants—which arrived at Monticello in early December, nearly a month after Prince’s November 8 invoice—was substantially larger than the original limited request Jefferson made in June.
Jefferson had taken a copy of Prince’s catalog and obviously had studied it thoroughly, for the following month, when in Philadelphia, he wrote an enormous addendum to his original short list, explaining “To [my original order] I must now desire you to add the following; the names of which I take from your catalogue.” Jefferson expanded his fruit order to include Brignole plums, apricots, Red and Yellow Roman nectarines, Green Nutmeg peaches, Yellow October and Lemon Clingstone peaches, and Spitzenburg apples, as well as Madeira walnuts (Juglans regia) and filberts. The fruits, according to the planting instructions Jefferson prepared at the time he placed the order, were to be planted “in the vacant places” of his South orchard, while the Madeira walnuts were to be “among the trees on the S.W. slope…towards the grove,” and the filberts were for the “room of the square of figs.” He enhanced his selection of native and ornamental trees and shrubs with an eclectic collection, intended primarily for planting either in the various clumps of trees on the slopes of the mountain or for the “vacancies of the 4 clumps at the corners of the house.” These included three types of conifers: “Hemlock spruce” (Tsuga canadensis), “large silver” (Abies alba), and “balm of Gilead” or balsam fir (Abies balsamina), as well as balsam poplars, “Carolina kidney bean trees with purple flowers” (native wisteria, Wisteria frutescens), “Balsam of Peru” (Myroxylon balsaminum), Rhododendrons, and cuttings of yellow, or golden willows. The “monthly honeysuckles” (possibly the native Lonicera sempervirens) were for the base of weeping willows.
And finally, quite significantly, Jefferson went through Prince’s entire inventory of roses and specified three each of all ten varieties the nursery had to offer that year. In fact, this extensive assortment of rose varieties has proved to be the richest and most comprehensive documentation of Jefferson roses presently known. These thirty shrubs were to be planted around the clumps of lilacs at the East Front of the house. The quantity and diversity of trees and shrubs Jefferson purchased from Prince in 1791 vividly exemplified the evolution and complexity of his long-ranging aspirations for Monticello. Jefferson’s subsequent associations with the Prince Nursery were few and indirect.
A notable connection occurred years after the Jefferson inspired Lewis and Clark Expedition, when the Prince nurseries played a leading role in making commercially available one of the expedition’s most ornamental species, the Oregon grapeholly (Mahonia aquifolium). According to Stephen Spongberg in A Reunion of Trees, the demand for this novel shrub was staggering. “By 1825, when the plant had become widely known up and down the Atlantic seaboard, the Prince Nursery firm…listed plants in their catalogue at twenty-five dollars each, in today’s currency doubtless equivalent to several hundreds of dollars!”
A final occasion connecting Jefferson with Prince was in a more intellectual way, as part of a poignant tribute made during Jefferson’s later years. In 1823 Dr. Samuel Latham Mitchill, Jefferson’s former lieutenant in Congress and fellow enthusiast for newly discovered inventions and natural productions, sent Jefferson an unusual invitation. Mitchill proposed that, as honorary members of the Linnaean Society of Paris, the two should simultaneously observe the May 24th birthday of Carolus Linnaeus, the man who united “all nations under one language in natural history.” Mitchill planned to celebrate at Prince’s garden in Flushing, New York, and promised to think of Jefferson on the occasion, knowing that he would “not disapprove of an attempt to render science popular and attractive.” Although not known for certain, it is likely that Prince family members were among those gathered to raise a toast to Linnaeus. Jefferson assured Mitchill that he likewise would be with them in spirit from his Bedford, Virginia retreat Poplar Forest, where he planned to invite “some amateurs in natural science in [the] neighborhood to fraternize on the same day with their brethren of New York by corresponding libations to the great apostle of Nature.” Unbeknownst to Jefferson, this commemoration would be on the final day of his final stay at Poplar Forest. Peggy Cornett, former Director Thomas Jefferson Center for Historic Plants. The author is extremely grateful to Lucia Stanton, Monticello’s former Shannon Senior Research Historian for her research on Benjamin Rush and on botanical anniversaries.
Parsons Nurseries
In 1868, Samuel Parsons opened Parsons Nurseries, one of the earliest commercial gardens, near what is now Fresh Meadows Lane. With help of a team of collectors, Parsons Nurseries found exotic trees and shrubs to import into the United States, and its advertisements filled gardening magazines with depictions of these exotic plants.[28][29] During the late 1880s,
Parsons Nurseries was importing 10,000 Japanese maples into the United States each year with help from Swiss immigrant John R. Trumpy. Parsons Nurseries also was the first to introduce the California privet in the United States from Japan.[ Kissena Lake was initially used as a mill pond. Parsons later used Kissena Lake for ice cutting, where surface ice from lakes and rivers is collected and stored in ice houses and use or sale as a cooling method before mechanical refrigeration was available. However, as recently as the 1900s, both Kissena Lake and Gutman’s Swamp served as a habitat for wood duck.Just east of the lake was a water pumping station. It was used first by the College Point Water Works, then by the Citizens Water Supply Company of Newtown, and finally as a city-owned pumping station Samuel Parsons’s children, Samuel Bowne Parsons and Robert Bowne Parsons, later took over running the nursery, and by 1898, Samuel Bowne Parsons’s son George H. Parsons, had taken over as superintendent of Parsons Nurseries.Later that year, George was found in the lavatory by his father; he had died of heart failure. Parsons Nurseries closed in 1901.
Genus Malus Species Malus domestica Hybrid parentage unknown Cultivar ‘Newtown Pippin’
Origin United States Newtown, New York
The Newtown Pippin, also known as Albemarle Pippin, is an American apple that originated in the late 17th or early 18th century and is still cultivated on a small scale.At one time, there were two very similar apple cultivars known as the ‘Yellow Newtown’ (‘Albermarle Pippin’) and ‘Green Newtown’
Newtown Pippin is typically light green, sometimes with a yellow tinge. It is often russeted around the stem. The flesh is yellow and crisp. The flavor is complex and somewhat tart, and requires storage to develop properly; some sources ascribe to it a piney aroma. Green and yellow varieties are sometimes distinguished but it is not clear that they are in fact distinct cultivars. It is one of the best keeping apples.
This variety originated as a chance seedling (a “pippin”) on the Gershom Moore estate in the village of Newtown (now called Elmhurst; the Moore property stood in the vicinity of what is now Broadway and 45th Avenue) in Queens, New York in the late 17th or early 18th century.[1] It was widely grown and praised in colonial America.
Thomas Jefferson, for example, wrote from Paris that “they have no apples here to compare with our Newtown Pippin.” It was widely cultivated in the Piedmont region, brought there by Dr. Thomas Walker, who grew it on his estate, Castle Hill. U.S. presidents George Washington and Thomas Jefferson both grew the Newtown in Virginia, where it acquired the alternate name “Albemarle Pippin” after Albemarle County, Virginia. It came to the fore in 1838 when Andrew Stevenson, the American minister to Great Britain, presented Queen Victoria with a gift basket of the apples from his wife’s Albemarle County orchard.
In response, the British Parliament lifted import duties on the variety, and it was an important export until duties were reimposed during World War II.
A partnership between the New York City Department of Parks and Recreation, New York Restoration Project, Slow Food NYC, and Green Apple Cleaners is providing hundreds of Newtown Pippin saplings (and pollenizer saplings) to community gardens, schools, parks and other public spaces throughout the city.
Uses Originally grown as a dessert apple, it is now used commercially primarily for cider. In modern times, the Newtown Pippin has been eclipsed by the Granny Smith apple, which is more handsome and not as susceptible to russetting. It is still grown commercially in New York, where most of the harvest is used in Martinelli’s sparkling ciders.
The Newtown Pippin is still available in Virginia, New York, California, the Pacific Northwest, and a few other places in the East, including roadside stands and at farmer’s markets. It continues to attract attention as an heirloom variety, and was identified as one of the parents of the Ginger Gold variety. As of 2014 it has attracted attention for its potential to be used in hard ciders, and at least one single varietal is sold in its native New York.
EDITORIAL
In these days of staying home, I was ready to drive (which I cannot do) to Thomas Jefferson’s Monticello.
Reading these fascinating stories of Jefferson and Madison’s road trip to Flushing, New York to purchase trees for their properties. Being good business people the Prince family published a catalogue as seen on the top of the article.
Northwest Queens has been noted for its orchards and agriculture. Read about our Newtown Pipping apples. If you visit Randall’s Island, some are planted there.
I think we will stay in Northwest Queens and go to an amusement park tomorrow! Happy Virtual Traveling!
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Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff
Credits: THOMAS JEFFERSON’S MONTICELLO WIKIPEDIA RIHS ARCHIVES JUDITH BERDY
All materials in this publication are copyrighted (c) FUNDING BY ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPOSE FUNDING DISCRETIONARY FUNDING BY COUNCIL MEMBER BEN KALLOS THRU NYC DYCD
Through the 19th century Long Beach’s first inhabitants were the Algonquian-speaking Rockaway Indians, who sold the area to English colonists in 1643.
From that time, while the barrier island was used by baymen and farmers for fishing and harvesting salt hay, no one lived there year-round for more than two centuries. In 1837, the barque Mexico, carrying Irish immigrants to New York, ran ashore on New Year’s Day.[citation needed] In 1849, Congress established a lifesaving station.
Austin Corbin, a builder from Brooklyn, was the first to attempt to develop the island as a resort. He formed a partnership with the Long Island Rail Road (LIRR) to finance the New York and Long Beach Railroad Co., which laid track from Lynbrook to Long Beach in 1880.
That same year, Corbin opened Long Beach Hotel, a row of 27 cottages along a 1,100-foot (340 m) strip of beach, which he claimed was the world’s largest hotel.In its first season, the railroad brought 300,000 visitors to Long Island. By the next spring, tracks had been laid the length of the island, but they were removed in 1894 after repeated washouts from winter storms. Long Beach Hotel Long Beach boardwalk,
In 1906, William Reynolds, a 39-year-old real estate developer and former State Senator, entered the picture. Reynolds had already developed four Brooklyn neighborhoods (Bedford–Stuyvesant, Borough Park, Bensonhurst, and South Brownsville), as well as Coney Island’s Dreamland, the world’s largest amusement park. Reynolds also owned a theater and produced plays. He gathered investors, and acquired the oceanfront from private owners and the rest of the island from the Town of Hempstead in 1907; he planned to build a boardwalk, homes, and hotels.
Reynolds had a herd of elephants marched in from Dreamland, ostensibly to help build the Long Beach Boardwalk; he had created an effective publicity stunt. Dredges created a channel 1,000 feet (300 m) wide on the north side of the island to provide access by large steamboats and sea planes to transport more visitors; the new waterway was named Reynolds Channel. To ensure that Long Beach lived up to his billing it “The Riviera of the East”, he required each building to be constructed in an “eclectic Mediterranean style”, with white stucco walls and red-clay tile roofs. He built a theater called Castles by the Sea, with the largest dance floor in the world, for dancers Vernon and Irene Castle.
After Reynolds’ corporation went bankrupt in 1918, the restrictions were lifted. The new town attracted wealthy businessmen and entertainers from New York and Hollywood. On July 29, 1907, a fire broke out at the Long Beach Hotel and burned it to the ground. Of the 800 guests, eight were injured by jumping from windows, and one woman died. The fire was blamed on defective electric wiring. A church, several cottages and the bathing pavilion were also destroyed. Trunks belonging to the guests, which had been piled on the sand to form “dressing rooms”, were looted by thieves. A dozen waiters and others were apprehended by the police, who recovered $20,000 worth of jewelry and other stolen property.
The community became an incorporated village in 1913 and a city in 1922 In 1923, the prohibition agents known simply as Izzy and Moe raided the Nassau Hotel and arrested three men for bootlegging. In 1930, five Long Beach Police officers were charged with offering a bribe to a United States Coast Guard officer to allow liquor to be landed. The police had another problem a year later in the summer of 1931, when a beachcomber found the body of a young woman named Starr Faithfull, who had drowned. She had left behind a suicide note, but others believed she had been murdered, and the circumstances of her death were never resolved.
Corruption became rampant in Long Beach by then; in 1922, the state Legislature designated Long Beach a city and William H. Reynolds was elected the first mayor. Soon afterward, Reynolds was indicted on charges of misappropriating funds. When he was found guilty, the clock in the tower at city hall was stopped in protest. When a judge released Reynolds from jail later that year on appeal, almost the entire population turned out to greet him, and the clock was turned back on. On November 15, 1939, Mayor Louis F. Edwards was fatally shot by a police officer in front of his home. Officer Alvin Dooley, a member of the police motorcycle squad and the mayor’s own security detail, killed Edwards after losing his bid for PBA president to a candidate the mayor supported. Jackson Boulevard was later renamed Edwards Boulevard in honor of the late mayor. After the murder, the city residents passed legislation to adopt a city manager system, which still exists to this day. The city manager is hired by and reports to the City Council.
In the 1940s, José Ferrer, Zero Mostel, Mae West, and other famous actors performed at local theaters. ] John Barrymore, Humphrey Bogart, Clara Bow, James Cagney, Cab Calloway, Jack Dempsey, Lillian Roth, Rudolph Valentino, and Florenz Ziegfeld lived in Long Beach for decades.[9]
THE SCANDALS AND CORRUPTION CONTINUE WITH SOME OF THE SAME CAST OF CHARACTERS FROM BROOKLYN!
A REQUIRED STOP ON THE WAY HOME FROM THE BEACH. HOT DOGS WITH A SIDE OF SAND
JONES BEACH STATE PARK
The park was created during Robert Moses’ administration as President of the Long Island State Park Commission as part of the development of parkways on Long Island. Moses’ first major public project, Jones Beach is free from housing developments and private clubs, and instead is open for the general public. Several homes on High Hill Beach were barged further down the island to West Gilgo Beach to make room for the park.
When Moses’ group first surveyed Jones Island, it was swampy and only two feet (0.61 m) above sea level; the island frequently became completely submerged during storms. To create the park, huge dredgers worked day and up to midnight to bring sand from the bay bottom, eventually bringing the island to 12 feet (3.7 m) above sea level. Another problem that followed was the wind the fine silver beach sand would blow horribly, making the workers miserable and making the use of the beach as a recreational facility unlikely.
Moses sent landscape architects to other stable Long Island beaches, who reported that a beach grass (Ammophila arenaria), whose roots grew sideways in search of water, held dunes in place, forming a barrier to the wind. In the summer of 1928, thousands of men worked on the beach planting the grass by hand.
Built in the 1920s, many of its buildings and facilities feature Art Deco architecture. In the center of a traffic circle that he planned as a terminus for the Wantagh State Parkway, Moses ordered the construction of an Italianate-style water tower to serve as a central feature of the park. Two large bathhouses are also prominent features within the park. After rejecting a number of submissions by architects for the bathhouses, Moses selected the designs of the young and relatively inexperienced Herbert Magoon. Moses also picked out building materials—Ohio Sandstone and Barbizon brick—two of the most expensive materials available.[
The park opened to the public on August 4, 1929, along with the causeway that provided automobile access from the mainland of Long Island. The causeway was the first section in what was to become the Wantagh State Parkway.
Unusually for the time, no carnival-style amusements were allowed in the park area. Moses has been criticized for intentionally specifying very low heights for the bridges over the Southern State Parkway so that buses would not be able to reach the beaches that way, thus making it harder for poor people without cars to enjoy them.
The impressive entry into the park
FLUSHING MEADOW CORONA PARK
What is now Flushing Meadow Corona Park was originally the site of the “Hill of Ashes,’ the municipal dump built on the swampy land in Corona, Queens. Ambitious and controlling builder Robert Moses masterminded the 1939-1940 World’s Fair on the site. It was a great success the first year. Television was previewed there and many of the pavilions were constructed of the miracle material asbestos.
In 1940, many European countries had pulled out as World War II broke out in their countries. The fair took on a honky-tonk atmosphere to lure the visitors.
In 1964, the second World’s Fair opened on the same site, now intersected by the Long Island Expressway and Grand Central Parkway, both Moses projects. The fair was close to my home so we loved visiting it and the GM Futurama, Belgium Waffles, The IBM Egg, where you rode up into a Selectric typewriter shaped egg. I think there was a “living” Abe Lincoln, Dino the Dinosaur and pavilions with exotic foods. Clairol Carousel had a magic mirror moving ride to show you what your hair would look like in other colors.
Our favorite pavilion was Pepsi with IT’S A SMALL WORLD playing in our head for days after.
As our feet ached, we rode the moving sidewalk past the Pieta, from the Vatican.
World’s Fairs have lost their lustre and now costs and the environment concerns outweigh building a site for us to imagine.
Let’s take a quick look back to history of only 56 years ago!
The Unisphere is still here adjacent to the Queens Museum and the National Tennis Center
The IBM “EGG” where you wondered at a Selectric Typewriter
The Cute Kids were typical of the 1960’s
A ticket was $2.00
IMAGE OF THE DAY
Can you identify this photo and location? Send your answer to JBIRD134@AOL.COM 212 688-4836
Yesterday’s Photo of the Day
Yesterday’s photo was the top of the landmark lighthouse at the northern tip of the island.The winner is Nancy Brown!
EDITORIAL
Trips to the beach, Nathan’s, a carnival, the World’s Fair, park, lake, or a relatives was how we spent our holiday weekends. Getting on a plane was not something you did in the 1950’s. Airplane travel was a big deal and expensive. We did drive to Oswego every summer and I counted many cows along the road.
Many families went to “The Mountains” whether thy be Irish. Jewish, Italian or other resorts. No matter what ethnicity, there was always too much food and lots of activities.
This year I will settle for the riverfront resort overlooking greenery and watching boats sail in the river.
Text by Judith Berdy Thanks to Bobbie Slonevsky for her dedication to Blackwell’s Almanac and the RIHS Thanks to Deborah Dorff for maintaining our website Edited by Melanie Colter and Deborah Dorff
All image are copyrighted (c) Cover image by Christopher Payne
