MONDAY, JULY 20, 2020 – More Treats From the Past
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Monday, July 20th, 2020
Our 109th Edition
MORE TREATS FROM THE PAST
LOUIS LOZOWICK
ARTIST
PART 1 OF 2
THESE ARE A SMALL SAMPLING OF LOZOWICK’S WORK ON VIEW AT THE SMITHSONIAN WEBSITE.
Louis Lozowick
(1892 – 1973)
was a Russian-American painter and printmaker. He is recognized as an Art Deco and Precisionist artist, and mainly produced streamline, urban-inspired monochromatic lithographs in a career that spanned 50 years.
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Lithograph on Paper
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1938
COLOR LITHOGRAPH ON PAPER
Lozowick was born in the Kiev Oblast of Ukraine (then part of the Russian Empire) in 1892 to Abraham and Mary (Tafipolsky) Lozowick.HIs parenets moved to Kiev when he was young, and he attended Kiev Art School before he immigrated to the USA, where he continued his studies at the National Academy of Design (New York) and Ohio State University. In America, Lozowick became fluent in English, in addition to his native Ukrainian, Russian, and Yiddish.
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1930
LITHOGRAPH ON PAPER
From 1919 to 1924 Lozowick lived and traveled throughout Europe, spending most of his time in Paris, Berlin and Moscow. In the mid-1920s he started making his first lithographs. Tanks #1, 1929, lithograph Lower Manhattan, 1936, lithograph
By 1926, when he joined the editorial board of the left-wing journal, New Masses, he was well-versed in current artistic developments in Europe, such as Constructivism and de Stijl. These hard-edged, linear styles, evident in a lithograph called “New York (Brooklyn Bridge),” suggest the possibility of an efficient reframing of the world, as did the political theories espoused in New Masses.
A version of this lithograph was planned as a cover for New Masses that was never published. Lozowick was highly interested in the development of the Russian avant-garde and even published a monograph on Russian Constructivism entitled Modern Russian Art. In 1943 Lozowick moved to New Jersey where he continued to paint and make prints. The human condition remained a constant theme of his art, and an ongoing interest in nature appears more frequently in his later works.
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1924
LITHOGRAPH ON PAPER
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1944
LITHOGRAPH ON PAPER
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1930
LITHOGRAPH ON PAPER
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1928
LITHOGRAPH ON PAPER
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1923
LITHOGRAPH ON PAPER
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1940
COLOR WOODCUT ON PAPER
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1930
LITHOGRAPH ON PAPER
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1943
LITHOGRAPH ON PAPER
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1950
LITHOGRAPH ON PAPER
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1950
LITHOGRAPH ON PAPER
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1930
LITHOGRAPH ON PAPER
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1929
LITHOGRAPH ON PAPER
MONDAY PHOTO OF THE DAY
IDENTIFY THIS ART PIECE
SEND ENTRY TO ROOSEVELTISLANDHISTORY@GMAIL.COM
WIN A KIOSK TRINKET
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WEEKEND PHOTO
BENCH AT CORNELL TECH
3 EARLY BIRD WINNERS
VICKI FEINMEL
BRENDA VAUGHN
ALEXIS VILLEFANE
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ALEXIS VILLEFANE IS THE WINNER
Text by Judith Berdy Thanks to Bobbie Slonevsky
for her dedication to Blackwell’s Almanac
Thanks to Deborah Dorff for maintaining our website
Edited by Melanie Colter and Deborah Dorff
All materials in this publication are copyrighted (c)
ALL IMAGES ARE ON VIEW AT THE SMITHSONIAN WEBSITE
https://americanart.si.edu/artist/louis-lozowick-3005
MATERIAL COPYRIGHT WIKIPEDIA, GOOGLE IMAGES, RIHS ARCHIVES AND MAY NOT BE REPRODUCED WITHOUT PERMISSION (C)
FUNDING BY ROOSEVELT ISLAND OPERATING CORPORATION PUBLIC PURPOSE FUNDING
DISCRETIONARY FUNDING BY COUNCIL MEMBER BEN KALLOS THRU NYC DYCD
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rooseveltislandhistory@gmail.com
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