Jul

20

MONDAY, JULY 20, 2020 – More Treats From the Past

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Monday, July 20th, 2020

Our  109th Edition

MORE TREATS FROM THE PAST

LOUIS LOZOWICK
ARTIST

PART 1 OF 2

THESE ARE A SMALL SAMPLING OF LOZOWICK’S WORK ON VIEW AT THE SMITHSONIAN WEBSITE.

Louis Lozowick

(1892 – 1973)
was a Russian-American painter and printmaker. He is recognized as an Art Deco and Precisionist artist, and mainly produced streamline, urban-inspired monochromatic lithographs in a career that spanned 50 years.

Self Portrait 1930
Lithograph on Paper
LIGHTHOUSE
1938
COLOR LITHOGRAPH ON PAPER

Lozowick was born in the Kiev Oblast of Ukraine (then part of the Russian Empire) in 1892 to Abraham and Mary (Tafipolsky) Lozowick.HIs parenets moved to Kiev when he was young, and he attended Kiev Art School before he immigrated to the USA, where he continued his studies at the National Academy of Design (New York) and Ohio State University. In America, Lozowick became fluent in English, in addition to his native Ukrainian, Russian, and Yiddish.

UNDER THE BRIDGE
1930
LITHOGRAPH ON PAPER

From 1919 to 1924 Lozowick lived and traveled throughout Europe, spending most of his time in Paris, Berlin and Moscow. In the mid-1920s he started making his first lithographs. Tanks #1, 1929, lithograph Lower Manhattan, 1936, lithograph

By 1926, when he joined the editorial board of the left-wing journal, New Masses, he was well-versed in current artistic developments in Europe, such as Constructivism and de Stijl. These hard-edged, linear styles, evident in a lithograph called “New York (Brooklyn Bridge),” suggest the possibility of an efficient reframing of the world, as did the political theories espoused in New Masses.

A version of this lithograph was planned as a cover for New Masses that was never published. Lozowick was highly interested in the development of the Russian avant-garde and even published a monograph on Russian Constructivism entitled Modern Russian Art. In 1943 Lozowick moved to New Jersey where he continued to paint and make prints. The human condition remained a constant theme of his art, and an ongoing interest in nature appears more frequently in his later works.

CORNER OF STEEL PLANT
1924
LITHOGRAPH ON PAPER
SYNTHETICS FEBRUARY
1944
LITHOGRAPH ON PAPER
GRANITE FOR MONUMENTS
1930
LITHOGRAPH ON PAPER
HIGH BRIDGE 
1928
LITHOGRAPH ON PAPER
CLEVELAND
1923
LITHOGRAPH ON PAPER
BANANA CARRIER
1940
COLOR WOODCUT ON PAPER
WILLIAMSBURG BRIDGE
1930
LITHOGRAPH ON PAPER
GEORGIA LANDSCAPE
1943
LITHOGRAPH ON PAPER
LONE WORSHIPER
1950 
LITHOGRAPH ON PAPER
MENDING NETS
1950
LITHOGRAPH ON PAPER
TRAFFIC
1930
LITHOGRAPH ON PAPER
BRIDGES
1929
LITHOGRAPH ON PAPER

MONDAY PHOTO OF THE DAY

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WEEKEND PHOTO 

BENCH AT CORNELL TECH
3 EARLY BIRD WINNERS
VICKI FEINMEL
BRENDA VAUGHN
ALEXIS VILLEFANE

ALEXIS VILLEFANE IS THE WINNER

Text by Judith Berdy Thanks to Bobbie Slonevsky
for her dedication to Blackwell’s Almanac
Thanks to Deborah Dorff for maintaining our website
Edited by Melanie Colter and Deborah Dorff
All materials in this publication are copyrighted (c)

ALL IMAGES ARE ON VIEW AT THE SMITHSONIAN WEBSITE

https://americanart.si.edu/artist/louis-lozowick-3005

MATERIAL COPYRIGHT WIKIPEDIA, GOOGLE IMAGES, RIHS ARCHIVES AND MAY NOT BE REPRODUCED WITHOUT PERMISSION (C)

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rooseveltislandhistory@gmail.com

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