Monday, December 7, 2020 – THE ARTS AND SPORTS MERGE HERE
Monday, December 7, 2020
Our 229th Edition
SPORTS FROM THE SMITHSONIAN
Joseph Rugolo, Mural of Sports, ca. 1937-1938, oil on linen, Smithsonian American Art Museum, Transfer from the Newark Museum, 1966.31.16
(Joseph Rugolo was one of the artists who painted murals at Goldwater Hospital)
Moses Soyer, Children at Play and Sport I, ca. 1938, oil on canvas, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.89.2
Henry Chawner Shenton, Abraham Cooper, A Day’s Sport in the Highlands, 1845, engraving, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.54.28
Morris Kantor, Baseball at Night, 1934, oil on linen, Smithsonian American Art Museum, Gift of Mrs. Morris Kantor, 1976.146.18
W. H. Martin, Great Sport Fishing Here, ca. 1910s, gelatin silver print, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 2002.79.8
Mahonri Young, Right to the Jaw, 1926-1927, bronze, Smithsonian American Art Museum, Gift of Mahonri Sharp Young, 1976.122.2 Mahonri Young was enthusiastic about sports throughout his childhood and often attended boxing matches with his younger brother, Wally. On a trip to Paris in 1926, Young began his popular Prizefighter series, which included Right to the Jaw. Sporting events and sports heroes were very popular in the American market during the 1920s, and Young’s prizefighters, which emphasized the excitement and glamour of boxing, brought him widespread recognition. “To me the problem has always been to animate the inert and lifeless material, whether bronze, stone, or wood, and to make it function like one of nature’s own creations.” Artist quoted in Thomas E. Toone, Mahonri Young: His Life and Art, 199.
Unidentified Photographer, Untitled (historical photograph, baseball team) from the Buffalo, New York Documentary Survey Project
Carl Newman, Abstract–Two Women with Tennis Racquets, drawing, Smithsonian American Art Museum, 1967.63.134
Home Eye Level Pitch Perfect: On David Levinthal, Roberto Clemente, and Baseball An image of the author’s favorite player, Roberto Clemente, is currently featured in the David Levinthal exhibition at SAAM Anne on July 9, 2019 Blog author in front of the David Levinthal image of Roberto Clemente The author “fangirling” in front of David Levinthal’s photograph of legendary baseball player Roberto Clemente.
Baseball fans looking to see some of the sport’s all-time greats in action this All-Star Week don’t need to look any further than the Smithsonian American Art Museum. The exhibition American Myth & Memory: David Levinthal Photographs includes ten works from the artist’s Baseball series. In true Levinthal fashion, his subjects are not the fabled players themselves but rather their action figure doppelgangers. It is as if the artist has brought a Who’s Who of Starting Lineup figures to life. Levinthal’s signature approach is to photograph toys and figurines in such a way that they often appear to be the real thing. Obscuring their “toyness” is his use of selective and soft focus: one small area of the photograph is crystal clear while the rest of the image is intentionally blurred. Some of the photographs in the Baseball series replicate a player’s most iconic moment. There’s Babe Ruth’s called shot. Jackie Robinson stealing home. Hank Aaron hitting 715. In other instances, the image deftly captures a player’s essence. There’s Rickey Henderson, forearms resting on bent knees, about to steal another base. There’s Satchel Paige, posed and poised on the mound, about to deliver a pitch. And there’s Roberto Clemente, his legendary rocket arm propelled forward in mid-throw. I look at my work as a narrative that taps into each individual’s own memory. — David Levinthal In Clemente’s photograph, it is the glove on his left hand and the letters across the front of his jersey that have found the camera’s focus—a fitting choice for a twelve-time Gold Glove Award winner who played all eighteen of his major league seasons with the Pittsburgh Pirates. When I look at this image of Clemente, I see much more than what can be found within the frame. A highlight reel of my childhood flashes through my mind. Levinthal’s work—its nostalgic subjects, its intentional blurriness—encourages the viewer to draw upon their own experiences and associations:
“I look at my work as a narrative that taps into each individual’s own memory,” the artist says. I grew up in a tiny town in western Pennsylvania during the 1980s. Baseball was my sport, the Pittsburgh Pirates was my team, and Roberto Clemente was my hero. For a kid whose parents encouraged her to always do her best, to stand up for what is right, and to help other people, Roberto was the embodiment of all that I hoped to be when I grew up. A fifteen-time All-Star, Clemente’s formidable skill in the outfield and the batter’s box was a perennial force in the league, yet his impressive stats don’t capture the unquantifiable talent and grace that he possessed as a ballplayer. Black and Puerto Rican, Clemente proudly embraced his cultural heritage and spoke out against the discrimination and xenophobia that he and his fellow players of color faced. Deeply committed to humanitarian efforts, he died at the age of thirty-eight in a plane crash on December 31, 1972, while delivering aid to victims of a massive earthquake in Nicaragua. Like other public figures who have departed long before their time, Roberto Clemente is timeless.
The other-worldly aura that infuses his legendary life adds an additional layer of meaning to the haziness that surrounds him in Levinthal’s image. I’m reminded of a line uttered by a mythological Babe Ruth to the young Benny “the Jet” Rodriguez in the 1993 classic baseball film The Sandlot: “Heroes get remembered, but legends never die.”
Paul Faulkner, Winter Sports (mural study, Kewaunee, Wisconsin Post Office), 1939, tempera on fiberboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.346
Thomas Höpker, Muhammad Ali, ca. 1970, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.26
Next time you are in D.C. stop by the NATIONAL PORTRAIT GALLERY and see the wonderful permanent exhibit “Champions.”
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